It was a lark to pause, hit
play, and watch the series, Portrait Artist of the Year. Would it be interesting to watch someone paint? To see what it takes to paint a portrait in just four hours? It is. And because of it, I'm seeing my collage work in new ways. I've never been a painter. Just collage. Painted sheet music. No other papers, inks, or marks. It's come together by chance, but the decision to stick with just the sheet music and paint has limited my choices. And in some ways made it easier. It forces me to find solutions with the materials I have. No distractions or wasted time pining for other papers or methods. Watching the artists on the program gives the viewer insights to the process of painting a portrait, and the decisions each one makes as they work. How they squint at their work, exhale deeply, frown, step back, and stick with it. It's inspiring to watch them overcome doubt and move forward. It's got me thinking about how I create my collage art, the shapes I cut, how I paint the paper. How much detail I add ... or omit. This is a new collage, with snippets of painted, cut, and torn papers coming together, in unexpected ways, for a new project. Nothing is permanent, yet. And there's a long way to go. But new ideas, thoughts, and techniques are pushing through the underbrush, revealing themselves bit by bit. Just as the portrait sitters do as they come to life on the blank canvas of each and every portrait artist.
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